Motivation: An Unreliable Muse

Motivation. We’ve all had. We’ve all lost it. Trust me, I know. I have been motivated to get sexy for the summer for over a decade, and I am still not where I desire to be. Why? Because motivation, not discipline, was the driver.

I will explore why I think motivation is-well, you’ve seen the title. It’s unreliable and most of all fleeting. Motivation comes dressed in the most convincing costume you have ever seen. Allow me to prove my posture.

I recently began working on Book 3. An idea that had rattled around in my brain, leaving nicks along already worn surfaces, and after a year, demanded I put it to paper. I was motivated-burning with something I have no words to describe. Hopes were high. I was high (not literally) but you get the sense of euphoria I had for this project.

Then, somewhere around 14,000 words, I lost the spark. For what I set out to achieve that word count was no where near enough. I had embraced the fantasy of this wonderful new project coming to fruition. I invested more in the dream than in the actual work of building it. The dream was intoxicating; the discipline required to see it through was not.

But this wasn’t the first time I have started out full steam ahead only to fizzle out before covering meaningful ground.

Taming Armand and Bloody Endings were not my first endeavors into writing. Neither were my first attempts at finishing a book. If anything, they rank fourth and fifth on a list that the others didn’t make it onto.

Back in 2018, I was motivated. Really motivated. That was the year. I was going to get my sh*t together. I would finally lean into my talents and write the book. That had been my motto: Write the Damn Book. I had attended my first Noir at a local coffee shop and was riding that emotion high. And by golly. I was going to ride it all the way to a finished manuscript.

Somewhere between life well- life-ing-the time spent writing became less and less. Sleeping a full eight hours became sexier than burning the midnight oil a few nights out of the week. My to-do list included everything but writing, and eventually, I chose productivity over creativity. The payoff of a quick, completed task was more exciting than the delayed gratification creativity offered. The thrill had left before the story had began.

The early pages of that manuscript ended up in a binder, alongside other forgotten ideas. Each of their origins forged from fleeting moments of motivation.

Fast forward to 2022. Life shifted in ways that I hadn’t anticipated. Illness pulled my card, and I grazed the hem of Death’s garment. By God’s grace, I was left on this side of the veil. And when I stepped into 2023, what propelled me ahead was not motivation. It was something quieter. Far more stubborn. It was discipline.

Taming Armand had begun to take shape into something serious. I decided to remove it from Inkitt and into a Word document. I set deadlines. I carried my laptop to work and wrote on my lunch break instead of doom scrolling. I showed up for the page even when the page felt like the last place I wanted to be.

With a little self-reflection and a new awareness, I discovered that motivation seduces. It will show up beautifully dressed. Full of promises. Endless possibilities. Then-it will leave. It always leaves. Motivation is not designed for the long haul. It is the spark, not the furnace.

Discipline is the furnace. It is far from romantic. It does not arrive with fanfare nor is it a feeling. No one cheers. There are no t-shirts. Discipline is simply the decision, made again and again, to continue-even when the magic is gone. Even when 14,000 words seems like evidence of failure rather than proof of progress.

I no longer search for motivation. I reach, yearning to touch discipline instead.


Until next time-has motivation carried you through? Or have you found discipline to be the more reliable companion? Sound off in the comments. The Weirdo wants to know.

Mapping a Dystopian World: A Pantser’s Journey with Planning

A pantser tries planning for a change. Let’s just say it was…interesting.

With the new year a little over a month behind us, I thought I would begin to post again. To write again, and to once again try something new. So, I thought I would step away from the Indie Publishing Series to allow it to breathe.

Oddly enough, I first started using a notebook to map out characters for a suspense story. When that fell through and the juices were no longer flowing, so to speak, it turned into a character worksheet for Taming Armand. Although it helped (my definition of ‘help’ is very loose here), I found myself writing out scenes instead of actual character development-which I thought was the exact opposite of a planning notebook. Now, I had the horrid task of transcribing everything from my spiral notebook into a Word doc.

I completed the transcribing with disgust etched into my features while I dredged up memories of why I had forgone writing with pen and paper when and where I could help it. I left the story planning notebook alone until I got into my dystopian sci-fi bag; now I find myself relaying on it to get me going on my first draft.

Why Now?

You may ask that question, and it’s a fair one given that I have let my disgust for planning out stories known. I needed a place, aside from the jumbled and tumbled workroom of my mind, to work out the kinks. To see the world before I put in down on paper. I needed a place to workshop this new world I am building. I needed to see it alive on the paper.

What sounds good in my head at times doesn’t work well on paper. I am sure as a fellow writer you know the struggle. If you’re not a writer then you know as a human.

What Works?

Planning out this dystopian world allows me to keep the rules straight, to keep order to the creative disorder I am writing. See, when you’re building a world from scratch—especially one where society has collapsed or twisted into something unrecognizable—there are rules. Lots of them. Who has power? Who doesn’t? What technology survived? What died with the old world?

If I don’t keep track of these things, I’ll end up with a character using electricity in Chapter 3 when I clearly stated in Chapter 1 that the grid’s been dead for twenty years. Or worse, I’ll forget which factions are at war with each other and accidentally write a alliance that makes zero sense.

The notebook gives me a reference point. A map, if you will. And for someone who usually flies by the seat of their pants, having that safety net is both liberating…and terrifying.

The Balance

Here’s the thing I’m learning: I don’t have to choose between being a pantser and being a planner. I can be both. I can sketch out the bones of this dystopian world—the geography, the power structures, the technology, the history—and then let my characters run wild within those boundaries.

It’s like building a playground. I construct the equipment, set the perimeter, establish the rules, and then I let the kids play however they want. Sometimes they surprise me. Sometimes they break things. But at least I know where the boundaries are.

I’m still writing scenes in that notebook—old habits die hard—but now they’re scenes that fit. They make sense within the world I’ve built. They don’t contradict the rules I’ve laid out three pages earlier.

Moving Forward

Will I become a full-time planner? Probably not. I assure you no. At least no time soon. I still believe in the magic that happens when you just write, when you let the story surprise you, when you let your characters speak, rather than manufacture them. But I’m also learning that some stories—particularly ones with complex world-building—need a little structure to keep them from collapsing under their own weight.

So here I am, a pantser with a planning notebook, building a dystopian world one scribbled note at a time. It’s messy. It’s imperfect. And yes, I’ll probably still end up transcribing half of it into a Word doc with disgust etched into my features.

But it’s working. And sometimes, that’s enough.

Have you ever tried planning when you’re naturally a pantser? Or vice versa? The Weirdo Writes wants to know.

Indie Publishing Reality versus Expectations – Part 6: Marketing

How I Learned to Stop Dreaming and Start Hustling

The book is written, cover design is done and that bad boy is published. Great sense of accomplishment. Check. Now, what’s next? Short answer…selling. In order to sell you have to market your book. Honestly, marketing and selling Taming Armand and Bloody Endings along with building a solid following has been harder than actually writing the books. Sweating it out over the keys is the easy part. Once you hit publish the real work starts.

An animated alien character working at a desk, typing on a computer keyboard amidst papers and a calculator, with shelves of books in the background.

I will go into this blog with a note to the reader. These are all actions that I have recently begun to undertake. As a green as spinach author (with the first book, I hope by now that I at least have a little seasoning, although still a bit bland, LOL) I thought if I publish the book they will come. My writing alone will bring the reader to the yard so to speak.

Arrogantly I thought I blast it out once at the onset and the buyers will come. I would gain a mass following, quit the rat race and write full time in a surf shack in Hawaii. Hmmm…not with the previous strategy which was no strategy.

Hopefully, this blog will help you and continue to aid me in this publishing journey.

I was two books in when I thought ‘hey, maybe I should market my books to increase sells.’ If you laughed, I assure you we have no qualms. At this stage of the indie publishing game, it’s very intuitive to think how do I market? How do I get my book or story out there? How do I build an email list? These were not questions that came naturally to me.

The Marketing Reality: It’s a Marathon, not a sprint.  

Here’s the thing nobody tells you: marketing your indie book isn’t a one-and-done deal. It’s an ongoing relationship you build with your readers, one awkward social media post at a time. But don’t worry – we’re all figuring it out together. Your lack of sells doesn’t mean you’re a bad writer, it’s only means no one knows your product exists, and you as the producer of that product have to make people aware or else they don’t buy. 

A cartoonish, alien-like character with large expressive eyes and a pinkish-purple skin tone, running energetically on a racetrack surrounded by palm trees and cheering banners.
  1. Start With Your Author Platform

Before you even think about paid ads get your foundation solid. Spend a little time and build an author website. Even a simple one-page site with your bio, books, and contact info beats having nothing. It gives people someone to go to find you.

You can do this for free. Now if you want to get fancy and have the website as your name or domain of your choosing you will have to pay, but if the budget is tight I would suggest you go with the free option. Trust me no one (aside from you) will care that your website name has something attached for instance .wordpress or the platform of your choosing. 

2. Choose 2-3 social media platforms max.

Two to three social media platforms are recommended but I would say choose the number of platforms that you will realistically frequently update. If you hate a particular platform don’t use it. Although we are conducting business we still want to have a little fun and at the very least enjoy the content we make and share. Pick platforms where your readers actually hang out.

Social Media That Doesn’t Suck Your Soul

  • BookTok/TikTok: Great for romance, fantasy, YA
  • Instagram: Visual storytelling, behind-the-scenes content
  • Facebook: Still huge for connecting with readers, especially in genre groups
  • Twitter/X: Good for connecting with other authors and industry folks

TIP: Share your writing process, not just “buy my book” posts. People love behind-the-scenes content – show your messy desk, your coffee addiction, your cat interrupting your writing sessions.

Highlight: Don’t spread yourself thin trying to be everywhere at once. This was a mistake I made and it only lead to burn out and inconsistencies all around.

3. Start collecting emails from day one.

An abstract illustration of a person sitting at a desk with a laptop, surrounded by floating email envelopes, conveying a sense of digital communication and marketing.

My email list is in-progress. It can be difficult asking people to provide their emails. It seems naughty. Or we ignore the opportunity to collect that valuable and key piece of information. But it doesn’t have to be awkward nor hard. Use a free service like Mailchimp or ConvertKit to capture reader interest.

The Power of the Email List (Yes, Really)

I know, I know – email lists sound about as exciting as watching paint dry. But here’s the truth: social media platforms can disappear or change their algorithms overnight. Your email list? That’s yours forever.

Quick email list building tips:

  • Offer a free short story or chapter as a “reader magnet”
  • Include signup links in the back of your books
  • Mention your newsletter in every social media bio

4. Reviews: The Holy Grail (And How to Get Them)

Reviews are social proof that your book doesn’t completely suck. I am in need of more reviews I’m sure you are too; here’s some ways to get some or to get more.

  • Ask family and friends to leave honest reviews (but follow platform guidelines)
  • Join review exchange groups with other indie authors
  • Send advance reader copies (ARCs) to book bloggers and BookTubers
  • Follow up with readers: Include a gentle request for reviews in your book’s back matter

5. Network Like Your Career Depends on It (Because It Does)

The indie author community is incredibly supportive once you find your tribe. It is a bit ironic that what we do for the most part is a solo endeavor, but all the other parts of writing does require some interaction with community. Nobody understands nor will listen to you moan and groan about editing and cover designs like a fellow author. Trust me on this one. I would suggest:

  • Join Facebook groups for your genre
  • Attend virtual book events and author conferences
  • Collaborate with other authors: Cross-promotion, anthology submissions, guest blog posts
  • Support other indie authors: Like, share, and review their work – it often comes back around

6.Take it Easy on the Pockets

You don’t need a Hollywood budget to market effectively. Keep it simple in the early stages.

An illustrated array of items labeled 'Budget Friendly,' featuring various containers, bags, and household objects, set against a bright background.

Free or Cheap Options:

  • BookFunnel and StoryOrigin promotions: Group giveaways and newsletter swaps
  • Genre-specific Facebook groups: Share when allowed, but engage genuinely first
  • Local opportunities: Library events, book clubs, writing groups
  • Podcast guesting: Many book podcasts are always looking for author interviews

Now only you can decide when and if you need to spend money on marketing. When you’re ready to spend a little here are some helpful hints:

  • BookBub Featured Deals: The gold standard, but competitive
  • Amazon ads: Start small ($5-10/day) and learn as you go
  • Newsletter swaps: Pay to be featured in other authors’ newsletters
  • Book promotion sites: Bargain Booksy, Robin Reads, Fussy Librarian

### Track What Works (And Ditch What Doesn’t)

Keep it simple but keep track:

  • Which social media posts get the most engagement?
  • Where are your sales coming from?
  • What promotional activities actually move the needle?

Use free tools like Google Analytics for your website and the built-in insights on social platforms to see what’s working.

The Long Game Mindset

Marketing your indie books isn’t about finding that one magic trick that makes you an overnight sensation. It’s about consistently showing up, building genuine relationships with readers, and slowly but surely growing your audience.

Some months you’ll sell three books. Some months you might sell thirty. Both are wins when you’re building something from scratch.

Remember: every bestselling author started exactly where you are now – with one book and a whole lot of hope. The difference between those who make it and those who don’t? They kept going, kept learning, and kept connecting with readers.

Be kind to yourself. If something doesn’t work adjust and try again.

Now stop reading about marketing and go do some actual marketing. Your books aren’t going to promote themselves (unfortunately).

What marketing strategies have worked best for you? What’s been your biggest challenge? Drop a comment below – the Weirdo wants to know!